Organs in concert halls
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George Blumenthal residence
In 1921, Florence Meyer Blumenthal (1875–1930), the
wife of New York banker George Blumenthal
(1858–1941), decided to install an organ in a large hall
adjoining her Paris residence. A great patron of
French art, she did not hesitate to devote a
substantial part of her fortune to promoting its
development. She dreamed of a music room where
organists could give recitals and hold organ
competitions. To bring this project to life, she had a
“Gothic hall” added to her home between 1920 and
1922, built using elements taken from churches
destroyed during the First World War. The organ had
to be as advanced as possible, and the layout of the
hall required the use of electric action. Joseph Bonnet
was entrusted with drawing up the specifications and
the stoplist, as well as overseeing the construction of
the instrument. The work was completed in August
1923. The hall then became a favourite meeting place
for the foremost Parisian organists of the time,
among them Charles-Marie Widor, Alexandre
Guilmant, Marcel Dupré, Louis Vierne, and Joseph
Bonnet himself. Upon Madame Blumenthal’s death in
1930, Joseph Bonnet inherited the organ. In 1934, the
abbey purchased the instrument, which was then
reinstalled on the gallery of the newly completed
abbey church. Source
A special thanks to James Lewis for this information.
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Cité de la musique
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Concerts Colonne
Organ of Mutin, built at the beginning of the XXth
century and sold in 1927 to the parish of Saint-
Nicolas, Meursault (Côte-d'Or). It’s stoplist is identical
to that of the choir organ of Notre-Dame-de-la-Croix.
Source et composition
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Concert Hall of Marcel Dupré (Meudon)
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Concert Hall of Guilmant (Meudon)
In 1898, Félix-Alexandre Guilmant had a concert hall
built next to his house, Villa Guilmant in Meudon,
where Aristide Cavaillé-Coll built an organ in 1899,
completed by Charles Mutin. After Guilmants death in
1911 the house containing the organ was sold, and
the organ stayed there until 1926. Then the new
owners moved to another place, and the organ had
to be removed. Marcel Dupré bought the organ. He
gave a last concert in the house of Guilmant in
February 1926.
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Opéra comique
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Palais du Trocadéro/Palais de Chaillot
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Les Portiques des Champs-Élysées
Organ of Convers, 1928, now at the au Temple
Protestant in Amiens. Composition
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Maison de Radio France
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Philharmonie de Paris
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Salle Berlioz (now: Théâtre de l’œuvre)
This organ was built by Aristide Cavaillé-Coll in 1890.
In 1909, it was transfered to the church Sainte
Geneviève des grandes carrières.
Original composition
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Salle d’armes de M. Pauilhac
An organ of , 1912, constructed with the tubular
system on indications of Docteur Bédart. 48 stops
and three expressive keyboards. This instrument
disappeared.
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Salle de Musique of Henry Goüin
Henry Goüin (Henry Jules Goüin, 1900–1977), a
passionate music lover, had his townhouse on
Avenue Milleret-de-Brou enlarged in 1932 to include
a music salon. He had a Gonzalez organ installed
there, which was inaugurated by the organist André
Marchal. The music salon soon became one of the
most sought-after in Paris, and the organ was also
used for recordings. Two years before his death, the
instrument was moved to the Church of Sainte-
Marguerite in Vésinet. In 2002, it was restored by
Marc Hédelin. On that occasion, the console was
replaced, an electronic combination system was
added, and six new stops were installed.
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Salle des fêtes du pensionnat de Passy
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Salle Gaveau
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Salle Pleyel
This hall housed a big organ, built by the Société
anonyme française de facture d’orgues Cavaillé-Coll in
1929 (IV/70) and inaugurated by Marcel Dupré in
1930. It was removed in the fifties and seems to have
been moved several times during the follwing years.
It was bought by the Italian organ builder Formentelli
and stored in a warehouse. There is only a photo of
the console, the organ had no case. Photos of the
pipework (thanks to Christian Tedesco).
Original composition
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Salle de concerts Touche
Organ of Mutin (1906). Vierne gave often lessons in
this hall.
Moved to l'église Saint-Dominique de Paris in 1926
and later to Saint-Antoine-de-Padoue after the
second world war.
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Studio 103 et 104 de la Maison de Radio-France
The organ of Müller of Studio 103 was transferred in
2008 to l'église Sainte Jeanne-d'Arc de Versailles.
The Gonzalez organ of Studio 104 was transferredto
Notre-Dame-de-la-Treille, the cathedral of Lille.
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Théâtre des Champs Élysée
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Théâtre de l’œuvre (voir: Salle Berlioz)
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Théâtre Lyrique
The organ of the Hall at the Boulevard du Temple
(Cavaillé-Coll, 1859, II/8): moved as choir organ to the
Cathédrale de Grenoble in 1869, after that to the Petit
Séminaire de Saint-Antoine-L'Abbaye (1928) and
finally to the Church of St. Didier of Voreppe.
Current composition
The organ of the Hall at the Place du Châtelet (Cavaillé-
Coll, 1864, II/8): Transferred to Belle-Ile-en-Mer in
1875 by Cavaillé who added the buffet and the pipes
in front. Restored by Bernard Hurvy, 1992.
Composition
Saint-Nicolas, Meursault
Guilmant at the organ in his concert hall
Console of the former organ of Salle Pleyel